Tuesday, November 30, 2010

Delivering a proggy shimmery take of spacey, indie/alt rock/punk, mixed with some post-rock, some hardcore and lots of silky smooth vocals,

Microtia


Spacemaker

(False Eye Records)



http://www.teethofthedivine.com/site/reviews/microtia-spacemaker/

I’m not much for gimmicks, but when a CD is sent to me with the ‘jewel case’ cut from a 12-pack of beer, and the track listing is printed on a Camels lights -pack, I’ll admit it: Well played, good sirs!



Delivering a proggy shimmery take of spacey, indie/alt rock/punk, mixed with some post-rock, some hardcore and lots of silky smooth vocals, Portland’s Microtia is musically a nice break from my usual breakdown filled, growly nun fuckery. At times I was reminded of Cave In’s Jupiter/Antenna, Circa Survive and Codeseven. I also think fans of Baroness’ mellower moments might dig this and I’ve also seen Crime In Stereo thrown around as a reference, though, I cannot personally say so either way.



As I hinted, huge part of Microtia’s sound are the vocals of Jessie Torrisi. His svelte, evocative croons are neither emo or wimpy, but a whiskey smooth tone that matches the shimmering music perfectly. And the music, while probably not the regular fare for readers here, works well when you just want some metal that’s laid back, yet artistic and eloquent. Spacemaker is 45-minutes of spacious and loose music: A perfect background music for when you have your metal- and non-metal friends come over. The likes of “The Early Fish gets the Worm”, “Add Insult to Injury” and “That’s the Problem with Owning half the State of California” will borrow into your subconscious and have you humming their cascading strums and sugary choruses. But at the same time the Mastodon-ish drumming of Tim Steiner manages to remind you that you are listening to a rock/metal album (“Pocket Full of Bee Stings”).

I’m interested if anyone other than West Coast hippies and beard wearers get into this lot, as they deserve a much broader audience—including some of you lot reading this now.

Monday, November 29, 2010

BONEDOME is the musical age ego of Allan Hayslip (guitar, bass, singing),

BONEDOME


Thinktankubator



CD
Summer Break
myspace.com/summerbreakrecords
41:38

BONEDOME ist

das musikalische Alter Ego von Allan Hayslip (Gitarre, Bass, Gesang), der

zusammen mit anderen Musikern aus Dallas, TX seine Vision des perfekten

Rockalbums umgesetzt hat. Musikalisch lässt sich „Thinktankubator“ schwer

kategorisieren: Es ist ein zeitloses Werk, dessen Einflüsse von an Bowie

erinnernden Songs über Prog-Rockiges bis hin zu Daniel Ashs (ex-BAUHAUS)

LOVE AND ROCKETS reicht, die Ende der Achtziger in den USA richtig groß

waren, in Deutschland aber maximal ein Geheimtip. Teilweise sehr

mainstreamig, ohne damit böse aufzufallen, und somit ein durchaus

interessantes, aber auch irgendwie zwischen den Stühlen hängendes Album. (5)

Joachim Hiller

Sunday, November 28, 2010

L.A. band set to rev crowd at Big Bear Choppers Ride the Mountain

The judge is in




L.A. band set to rev crowd at Big Bear Choppers Ride the Mountain

By ARRISSIA OWEN TURNER

Reporter

http://www.bigbeargrizzly.net/articles/2010/06/16/community/arts_and_entertainment/doc4c1818f23875b540894210.txt



Published: Wednesday, June 16, 2010 7:38 AM PDT

It was 15 years ago when Judge Jackson lead singer Todd McTavish met guitarist Lee Jackson in the front room of his apartment. Jackson was at the L.A. home McTavish shared with a female bartender from the famous Sunset Strip bar Whiskey-a-go-go. Jackson was meeting with McTavish’s roommate’s boyfriend to learn songs for a hired gun-gig playing guitar on a six-week tour in Hawaii.



When the boyfriend got distracted with his girlfriend the roommate in the back room, McTavish inadvertently stole the man’s guitarist. The two started talking about songwriting styles and the possibility of working together after Jackson returned to the mainland. “We had immediate chemistry,” McTavish says.



The next day, Jackson stopped packing his bags. “He called the next day and said, ‘Screw getting back from Hawaii. Let’s do this,’” McTavish recalls. The two got to work matching lyrics with chords. Then they matched a name to the sound.



While the band isn’t necessarily a Southern rock band, they wanted a name that summed up the Southern flavor they identified with. As the two became acquainted, Jackson mentioned his father, a Texas court judge in Dallas, Judge Jackson.





The name immediately resonated. “It just sort of fell into place,” McTavish says. While Judge Jackson wasn’t immediately in favor of the idea, he’s grown to be one of the band’s biggest fans, McTavish says.



The band has a few more misleading habits. Not only will this be Judge Jackson’s third time playing Big Bear Choppers Ride the Mountain event come June 19 at Snow Summit Resort in Big Bear Lake, they’re veterans of other chopper-themed events, as well. They’ve played the Laughlin and Sturgis bike runs. But they’re not bikers.



So they are not Southern rock, not judges and they’re not bikers. What are they?



“It’s honest music for honest people,” McTavish says. “No smoke and mirrors, just the straight goods. … We do have a lot of songs about being out on the road, and I think that is where they (bikers) identify with the music.”



The band’s fifth studio album, “Drive,” out Aug. 3, offers straight-up rock ’n roll in the vein of Guns ’ n Roses, Lynard Skynard, Gov’t Mule and Buckcherry. Their amped-up songs have soundtracked everything from the TV shows “My Name is Earl” and the NASCAR reality show “Victory Lane” to the Stanley Cup finals, Monday Night Football and the NBA.



Judge Jackson evolved during the years, with McTavish and Jackson remaining the band’s backbone. The most recent additions are bassist Brian “Chuey” James and drummer J.J. Garcia, making the band complete.



“Any band will tell you it’s the relationship, the chemistry,” McTavish says. “When you get along, it’s a big deal. Half of it has been about writing some great songs and the other is about the boys club. We’ve always liked that feel to it. We are honored we get to play with each other. Every gig is the same gig to me—whether we’re playing in front of 50,000 people or five, we’re honored to play and give 100 percent.”



For McTavish, being a front man didn’t necessarily come naturally. He got into music because of his affinity for songwriting. But the elation that comes with entertaining and working a room did take root early. The first time he felt the call of the crowd was at age 15 as a camp counselor in training.



To entertain the kids, McTavish and the other counselors put together a stage show complete with air guitar and broom handles standing in as mike stands. McTavish gave Foreigner’s “Jukebox Hero” his all. The crowd went wild.



“It went off like the Beatles,” McTavish remembers. “I still remember the ringing of people screaming in my head. There was a moment when I thought that was pretty cool. That was a bit of a rush. There was this moment of performing in front of people you can’t help but be moved by.” It’s what drives him.

Saturday, November 27, 2010

If you want to know what TENACIOUS D would sound like with a Southern accent

http://www.piratecatradio.com/wordpress/?p=22883

JUDGE JACKSON Drive CD


JUDGE JACKSON / Drive CD / Curtis-Joe Records / 2010



If you want to know what TENACIOUS D would sound like with a Southern accent and no sense of irony whatsoever, here is a perfect example. It’s boogie rock ‘70s style, making no pretensions of being anything but some dumb backyard barbecue with a six-pack fun. Really silly lyrics like “Romeo and Juliet / were alone and then they met” help to seal the deal.


SOUNDS LIKE:

OUTLAWS, GUNS’N’ROSES, MOLLY HATCHET







SUGGESTED TRACKS:

2 “Radio” (the story of PCR listeners)

7 “Just Because” (for those who miss the sounds of BOSTON)

10 “Meant To Be” (stripped-down Roadhouse Country surprise)

Friday, November 26, 2010

Charlotte, NC band that has been enjoying some mainstream success as of late.

Music Monday: The Paper Tongues



http://www.chicagonow.com/blogs/big-gay-welcome-wagon/2010/06/music-monday-the-paper-tongues.html

Happy Music Monday! This week's music comes to us from a Charlotte, NC band that has been enjoying some mainstream success as of late. With their two most recent singles, "Ride to California" and "Trinity," I know I've become a fan.
For some reason, the lyrics to the song "Trinity" strike a chord with me. Even though the lyrics sound like, as Daniel Tosh would say, "Christian Mother Effin Rock!" I don''t believe they classify themselves that way.

Glory Hallelujah! Enjoy my personal favorite song, "Trinity," after the jump.

Thursday, November 25, 2010

Forged under the inspiration of post-punk and angular melodies, the Burning

http://www.eardrumnyc.com/artist/16231-the-burning-hotels




The Burning Hotels


Forged under the inspiration of post-punk and angular melodies, the Burning

Hotels cut through modern rock with driving sounds and propulsive rhythms.

The band made their recording debut with a self-released EP titled Eighty

Five Mirrors, licensed by Razor & Tie. This EP won the Fort Worth Weekly's

Album of the Year and 3 of the Top 10 Songs of the Decade. In April of 2010,

the Burning Hotels released their debut full-length LP, Novels. This release

was mixed by Mark Needham (The Killers, Bloc Party).

Tags:indie, indie rock, love, rock, punk

Similar artists:Kelsey Brown, Benjamin E. Morsberger, nick sheqz, Dark Mean,

And Selby Jase

Powered by Last.fm

Tuesday, November 23, 2010

Paper Tongues described the festival as “sacred soil”

First time performers Paper Tongues described the festival as “sacred soil” and mentioned that they had friends who used to come to the festival.




http://www.jambands.com/news/2010/06/13/from-the-bonnaroo-beacon-bonnaroo-state-of-mind

Monday, November 22, 2010

gritty yet pleasant piano-infused pop punk and get swinging.

K Sera (United States) http://www.newbanddaily.com/
K Será's pop punk with echoingly deep vocals and a piano prove to be the real power behind today's brand of Warped Tour. Having only been together for less than two years, these guys get what it takes to leave an impressionable on an otherwise easily forgettable scene.



Originally a solo gig from lead singer and guitarist Michael Caswell, the five young guys came together to attack the touring stage performance lifestyle. After touring for the first time (including a stint on the 2009 Vans Warped Tour), they stopped in Seattle to record a sophomore EP that proved to be dynamic.

They will be touring again this summer so make sure to check out their gritty yet pleasant piano-infused pop punk and get swinging.


Songs we recomme! nd you listen to: "Me Before Women and Children" and "Edge of the Map."

w.h Walker on new band daily with free mp3

November 22, 2010: Welcome Home Walker (USA)


http://www.newbanddaily.com/

All hail garage rock bands from Portland, Oregon! We think it's pretty amusing that this type of music can be found all over the rainy Pacific Northwest, but we like it. Welcome Home Walker's three or four piece band typifies this style, but with more gusto and definitely more potential.

They play kitschy, catchy, lyrically memorable and fun garage rock with a pop edge. They are a bit late 1970s and early 1980s punk, mixed with 60s pop, and a modern twist. At moments we think Beatles, at others The Clash...

Having performed at a pop festival this past summer, they're said to play energetic shows reminiscent of past generations, but all in all, we think they seem pretty culturally relevant and awesome.

Songs we recommend you listen to: "As the Night Goes" and "Don't Let Me Go."

Sunday, November 21, 2010

BONEDOME


Thinktankubator

CD
Summer Break
myspace.com/summerbreakrecords
41:38

BONEDOME ist

das musikalische Alter Ego von Allan Hayslip (Gitarre, Bass, Gesang), der

zusammen mit anderen Musikern aus Dallas, TX seine Vision des perfekten

Rockalbums umgesetzt hat. Musikalisch lässt sich „Thinktankubator“ schwer

kategorisieren: Es ist ein zeitloses Werk, dessen Einflüsse von an Bowie

erinnernden Songs über Prog-Rockiges bis hin zu Daniel Ashs (ex-BAUHAUS)

LOVE AND ROCKETS reicht, die Ende der Achtziger in den USA richtig groß

waren, in Deutschland aber maximal ein Geheimtip. Teilweise sehr

mainstreamig, ohne damit böse aufzufallen, und somit ein durchaus

interessantes, aber auch irgendwie zwischen den Stühlen hängendes Album. (5)

Joachim Hiller





BONEDOME is the musical age ego of Allan Hayslip (guitar, bass, singing),

which converted its vision of the perfect skirt album together with other

musicians from Dallas, TX. „Thinktankubator can musical be categorized “with

difficulty: It is a timeless work, whose influences of at Bowie of reminding

song over Prog Rockiges up to Daniel Ashs (ex building house) to LOVE AND

ROCKETS reaches, the end of the eighties in the USA correctly largely was

however maximum, in Germany a secret tip. Partly very mainstreamig, without

being noticeable thereby badly, and thus a quite interesting, in addition,

somehow between the chairs hanging

So thank you, Judge Jackson, for the breath of fresh air.

Issue #21.46


Judge Jackson
“Drive”
BY JOSH RUFFIN

http://metrospirit.com/index.php?cat=1993101070394080&ShowArticle_ID=11010906102980694

Judge Jackson

“Drive”


Curtis-Joe Records

myspace.com/judgejackson



AUGUSTA, GA - I’m not one to complain*, but the stylistic gamut of albums coming down my review pipeline has considerably narrowed in recent years. I’m all too happy to fill you in on the latest '70s hesher throwbacks, or a reasonably talented group of Immortal worshippers, but I’ve got inch-thick files of press releases peddling “the most evil, filth-ridden flame-semen to spew forth from the gonads of Mammon” and frankly, it’s getting a bit old.

*Yes I am.

So thank you, Judge Jackson, for the breath of fresh air. On their MySpace page, these guys list as influences “Lynyrd Skynrd, Led Zeppelin, Black Crowes, Guns n’ Roses, Tesla, Iron Maiden, Bon Jovi, Allman Brothers, and Stevie Ray Vaughan” and damn it, I believe them (except maybe Maiden; where’s your twin-guitar leads, boys?). The songs are catchy as hell (“Radio”), the riffs beefy and sufficiently whiskey-fueled (“Head Over Heels”), and vocalist Todd McTavish strikes a near-perfect balance between '80s-era bombast and Scott Weiland sleaze. The fact that the whole affair is capped off with a porch-stompin’, dobro-laced honky-tonker with the inimitable Julia Henry lending guest vocals just sweetens the deal even more.



And if the rhymes are a little pedestrian — “You’re New York and I’m L.A./You love to work, I love to play — and the lyrics occasionally cringe-worthy — “We met along the boulevard of broken hearts” — just remember that this kind of thing comes with the territory. Enjoy, you jaded bastard.

Friday, November 19, 2010

Aswan North turns his voice to melodic ends, it's like Robert Plant

Other Stages : Paper Tongues (4-5 p.m., Troo Music Lounge), a seven-piece outfit from Charlotte, is oddly compelling for its decision to mine one of the least-loved moments in recent musical history, the rock-rap surge of the late nineties. When you have sneering men gyrating in tight black pants to a hard-rock riff, there's an unavoidable element of comedy involved, but the band is wholly committed, the rhythm section keeps time like a crystal oscillator, and when frontman Aswan North turns his voice to melodic ends, it's like Robert Plant has dropped by the pub to sing a number with the boys ...



http://www.theatlantic.com/culture/archive/2010/06/bonnaroo-music-festival-the-incomplete-guide/58067/

Charlotte’s Paper Tongues

http://blogs.creativeloafing.com/vibes/2010/06/08/a-quick-guide-for-bonnaroo-2010/




Charlotte’s Paper Tongues are in the Troo Music Lounge